Source: http://www.engadget.com/2008/12/17/samsung-p3-gets-official-in-korea/
Continue reading Samsung P3 gets official... in Korea
Filed under: Portable Audio, Portable Video
Samsung P3 gets official... in Korea originally appeared on Engadget on Wed, 17 Dec 2008 13:29:00 EST. Please see our terms for use of feeds.
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Filed under: Cellphones, Handhelds
BlackBerry Application Suite for Windows Mobile spotted virtualizin' in the wild originally appeared on Engadget on Wed, 17 Dec 2008 13:56:00 EST. Please see our terms for use of feeds.
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As of today, a new Vudu Labs area on standard Vudu boxes will offer access to Flickr, Picasa and YouTube. In addition, the Labs' new "On Demand" area opens free streaming from ABC, CBS, MSNBC, Nickelodeon, Discovery, and ESPN—among lots of other web-available media.
Vudu's Rich Internet Application platform will be opened to developers in Q1 of 2009. And it seems like a pretty good way for Vudu to stay competitive against the likes of Netflix, Blockbuster and AppleTV.
VUDU Brings the Web to TV with Breakthrough Internet Application Platform
Company Launches More than 120 Channels of Web Based Content and Applications, Announces Rich Internet Application Platform Open to All Developers in 2009
Santa Clara, CA - Dec. 16, 2008 - VUDU today took a major step forward in bringing the Web into the living room by launching the VUDU RIA (Rich Internet Application) platform, a standards-based platform that brings Web-hosted rich applications and services to consumer appliances
such as the popular VUDU Internet movie player. VUDU RIA combines the openness and ease of development of Web applications, lightweight hardware requirements compatible with today's consumer Internet appliances, and a lean-back user experience optimized for television.
To demonstrate the power and flexibility of VUDU RIA, VUDU has created an initial set of applications and services in a new area of the VUDU home page, called VUDU Labs. Available today to all VUDU owners, these applications include casual games, implementations of Flickr, Picasa and
the entire YouTube library, as well as a new "On Demand TV" area with more than 120 channels.
Today, VUDU customers can! access a broad selection of free on-demand shows provided by major network television and on-line specialty sites spanning news, food, music, sports, and more. Programs include daily highlights from shows such as "Today", "The Rachel Maddow Show", "Anderson Cooper 360", "Fantasy Focus NFL", "MTV News", as well as full programs, some in HD, from Nova, National Geographic, PBS and others. VUDU plans to add more applications and services throughout 2009."VUDU RIA enables us to quickly open up huge libraries of web based content to TVs in living rooms around America," said Edward Lichty, Executive Vice President of Strategy and Content. "We are excited to
deliver both high quality TV shows as well as Web applications which enable our customers to share their photos and watch the tens of millions of YouTube videos on their HDTV's." VUDU RIA Brings Web Application Development to CE devices VUDU RIA allows developers to take advantage of the most advanced RIA techniques such as asynchronous Web queries, local scripting, and persistent client-side storage, along with unique TV-centered technologies such as VUDU's acclaimed user interface, one-wheel remote control navigation, and VUDU's TruFilm-powered video rendering for
maximum visual quality. VUDU RIA enables the development of responsive, rich applications
optimized for display and use on high definition televisions that bring the wealth of data and content of the Internet to the living room without needing to deploy new software on the consumer appliance, a
first in the consumer electronics world. VUDU RIA is targeted at today's low power set-top boxes and Internet appliances and delivers a lightning fast user experience on a 300 MHz embedded processor with 128MB of RAM. Applications developed on the VUDU RIA platform are as responsive as native applications but have the added advantage of being able to pull from the vast and growing reservoir of
Internet content and services. They can also be updated anytime without modifying ! any soft ware in the consumer's appliance, creating a dynamic experience heretofore unavailable in the living room. VUDU RIA
will be opened up to third party developers in the first half of 2009."Our goal in creating VUDU RIA was to allow anyone with Web development skills to easily author Web-driven applications for the TV," said Prasanna Ganesan, VUDU's Chief Technical Officer. "We are very pleased with the results and look forward to opening up VUDU RIA to the developer community."
Yes, it is final exam time for Shiffman's Big Screens Class—at 6PM on a Friday night, with free wine—and I am standing with a couple hundred other likeminded art techies in the lobby of the IAC Building, a curvy glass Frank Gehry creation on the West Side of Manhattan. We are in front of a 120-foot screen that's the equivalent of six 16:9 displays arranged end-to-end, and we are doing what it's telling us to do. We are obeying it.
It tells us to clap, and we clap. Then we stomp our feet and say "la la la." Then we send text messages to it, filled with the anticipation of influencing what appears on its glowing greatness. We clap to shoo white birds off a power line that's strung across its great length. We do it while drinking and taking pictures of the action, and it is good—a techie church for bigger screens, always bigger! We kneel!
Shiffman and his students have the IAC people, in part, to thank for their classroom. Rather than put in a garden or expansive, empty lobby, Barry Diller's IAC conglomerate—which owns several web-related businesses like Ask.com, Ticketmaster, etc—decided to build one of the world's biggest indoor video walls. It's made up of 27 vertically oriented projectors, linked into a single display by software from Spyder and shined onto a translucent screen to create a massive projection image:
For the Big Screens class, the wall is powered by three dual-head Mac Pros, each driving their own pair of 16:9 aspect-ratio screens (splittin! g nine p rojectors for each head), for a total resolution of 8160 x 768 pixels.
The class is part of of NYU's Interactive Telecommunications Program (ITP), a two-year graduate degree they've offered since 1979 and the source of all kinds of geeky curiosities. Shiffman, a wizard of the graphical programming language called Processing that many of the students use to fill up the screen, has taught this class for two years now. Processing has been used in tons of music videos, data visualizations and interactive video art and is popular for its relative simplicity as a way to turn code into amazing visuals.
Talking to the students, it's apparent that such a unique medium can barely be classified as a "screen" in the traditional sense. The immense size, when paired with such an extreme aspect ratio, turns the screen into more of a physical space than anything resembling a TV (even one that's 150-inches). Besides, it's not about resolution, in the home-theater sense. Sure, you can do a lot with 6 million pixels, but it's not why you come to see this 120-foot screen.
Interaction is the key, as you can see in the following videos. Mooshir Vahanvati created a massive 120-foot stretch of powerline with birds who perch when it's quiet and scatter when microphones pick up a loud noise:
Vikram Tank created a six-panel conductor that synced up the crowd's claps, snaps and la-la-las:
Matt Parker's "Caves of Wonder" took a video feed of the crowd from an IP camera and twisted it into a craggy landscape with Processing—part iTunes Visualizer, part Grand Canyon on Mars:
And Alejan! dro Abre u Theresa Ling combined silohouettes on screen with the shadows of real actors behind the screen to create three vignettes of Chelsea's seedier past:
Shiffman works the controls at the back of the room with a gigantic smile; he is perhaps the only person that could teach this class. He's the primary author of the "Most Pixels Ever" library for Processing, which allows projects to sync up across multiple displays seamlessly without delays—and not just your dual-head monitor. Most Pixels Ever is amazing because it can handle the 6 million pixels of IAC's video wall without blinking, and without it, this class would not exist in its current form. All the art-tech nerds thank him as we file out the door.
"For the students it's just such a completely unique experience—it's unique for anybody, whether you're a grad student or a professional designer. Few people in the world have a chance to work on anything of this scale, and what's great is that I can say to them you can do whatever you want," he says. "You learn a ton about technically producing the work, and also what it means visually to work on that scale."
"I can't imagine that when IAC build that wall that they imagined performances on it with actors casting shadows behind the screen, so that's fantastic."
The rest of ITP's classes are having their semester-ending show this week in NYC; find out more here and look for our coverage starting later this week. [ITP on the Big Screen]
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