SeatKarma Helps You Find the Best Seat in The House [Tickets]
On top of the basic ticket price aggregation, Seat Karma has seating maps for over 1600 venues—similar, but more comprehensive than previously reviewed SeatQuest. Of those venues, 1300 of them are live maps where the available seats are mapped out with markers to give you an idea of where you'll be relative to the action. Out of the live maps, there are currently 140 venues with actual photos taken from the stands in various positions throughout the venues to give you an actual perspective on how you'll see the court or stage. For venues that have more complicated seating arrangements than simple stadium tiers, such as small theaters, Seat Karma has 3D-style seating maps to show how the various balconies mezzanine levels overlap.
You want to be the supreme ruler of your own virtual cutting room? Better break out the checkbook—your film-chopping powers aren't going to come cheaply.
Sony Vegas Pro has the distinction of being frequently noted as an overlooked but high-powered underdog by many readers. While it doesn't sport as flashy of a resume as say Final Cut Pro, it is feature-packed. Vegas Pro had the ability to mix multiple video formats and resolutions without recoding, a full seven years before Final Cut Pro ! added th e same feature. Vegas Pro started life as an audio editor and was later bought by Sony, but between its roots and Sony inheritance it brought superior sound editing tools to the table before its competitors, and still boasts impressive audio capabilities. Like Final Cut Pro, Vegas Pro has support for add-ons for Vegas Pro, which are actually user scripts coded in Visual Basic or Java Script, cranked out by communities online. Vegas Pro has no specialized hardware requirements and operates on nearly any Windows based machine, giving it both a price and compatibility edge over more expensive and hardware dependent video editors.
When your Mac-loving friends get that look in their eyes and say things like "It just works!" they're under the influence of gems like iMovie. iMovie is a consumer-level movie editing tool available as part of the iLife bundle of media tools. It features professional touches like frame stabilization for smoother movie playback, has drag and drop editing, easy to configure transitions, and even easier special effects for headache-free movie editing. You can get down to the dirty business of creating your stop-motion Lego mini figure space opera without needing to get bogged down thanks to the simple time lines and the easy to use interface in iMovie.
A veritable wise old man in the 
Final Cut Pro has built quite a resume in a very short period of time. Several Hollywood movies have been edited using just Final Cut Pro, including The Curious Case of Benjamin Button, No Country for Old Men, and Cold Mountain. If it's good enough for academy award winners, and assuming your pocket book can handle it, it should be more than good enough for your next epic masterpiece. Final Cut Pro supports non-linear and non-destructive editing of a wide variety of video formats. You can easily mix video files of varying formats and resolutions without having to spend time recoding the files. There are extensive tools for filtering and color correcting your video built right in with support for third party plugins. Since version 4 you've been able to apply effects in real time thanks to the introduction of DynamicRT.
Although Windows Movie Maker has play! ed secon d fiddle to the robust iMove in the consumer market—especially since were released around the same time—it's tough to beat free when all you need is basic editing. Windows Movie Maker supports video transfer from most consumer camcorders via FireWire and USB, and sports a time-line-based interface for easy drag and drop shuffling of your video clips. Windows Movie Maker supports over a 100 transitions and movie effects, and the Vista version has Direct3D integration for even higher quality effects. All effects are grabbed from XML, so you can create your own with a little know-how, or look to repositories on the web to find more.
First released in 1989 for the Mac II, Avid Media Composer is the dominant application in professional broadcast and moving editing. Avid Media Composer has extensive support for multiple cameras, making it easy to group and select the best shots. There are a host of effects like inter-frame cloning and removal of imperfections when importing non-digital sources. Avid Media Composer stands out from other high-end video editors by including non-Avid products in its software bundle. Rather that reinventing already excellent products from other companies, Avid bundles software from third parties to fill needed roles like Sonicfire Pro for advanced audio editing and Sorenson Squeeze 5 for DVD compression. The newest version of Avid Media Composer can be used as a stand-alone application, unlike prior versions which were tightly integrated with bundled hardware and network storage tools.
You have a camera and a willing subject, but you're not sure how to break your portraits out of the flat blandness that plagues many snapshots. Avoid boring compositions with these tips.
The Rule of Thirds is one that can be effective to break - placing your subject either dead center can sometimes create a powerful image - or even creative placement with your subject right on the edge of a shot can sometimes create interesting images.
No need to copy all the text of that Dutch document or Portugese PDF and paste it into 
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