Monday, July 27, 2009

Crazy Russian Sukhoi Su-35 Pilot Ejects For a Hollywood Movie at Mach 2 [Image Cache]

Crazy Russian Sukhoi Su-35 Pilot Ejects For a Hollywood Movie at Mach 2 [Image Cache]

Holy frak. Holy frak. HOLYROLLERBLADINGFRAK! Movie producers paid two Sukhoi Su-35 pilots to fly without a canopy at Mach 2.0, and have one of them eject in what probably is one of the most dangerous stunts ever filmed.

While on this speed I even managed to pull out my fingers in glove for an inch or two outside - it became heated very fast because of immense friction force plane undergoes with the air.

That's what the pilot who remained in the cabin said he did after his crazy comrade ejected, landing safely on the ground. I don't know what this movie is, but I definitely want to see it.

To add even more awesome details, the actual airplane is the SU-35UB prototype, identified by its tail number 801. This is the most advanced Sukhoi fighter ever built. Crazy Ivans indeed. [The Dew Line]




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The Barcode Update You Never Asked For, But Still Need [Bar Code]

The Barcode Update You Never Asked For, But Still Need [Bar Code]

Just a few weeks after celebrating the 35th birthday of the barcode, researchers at MIT have unveiled a promising replacement for the aging standard.

Dubbed the Bokode, the system uses a clever focusing technique that allows a small beam of light to hold a wealth of easily accessible information. Bokodes are based on the "bokeh effect" in photography, where light blurs into a round blob as a lens focuses to infinity. The LED in the center of the image above is actually projecting a series of tiny 2D barcodes through a lens that defocuses the images. Even though these images appear out of focus to the naked eye, when your camera lens focuses to infinity the tiny 2D barcodes can be read. The visual demo in the video below helps conceptualize how the technology works. Because the system is able to hold so many 2D barcodes in a such small space, a Bokode can store thousands of bits of data. There's enough storage space on a Bokode that it can both identify what you are buying at the grocery store and display the entire nutritional facts label.

The cost of the LEDs and lenses involved means that each Bokode runs about five bucks a pop. Researchers claim the price of a Bokode could decrease to as little as five cents each, though, once the LED is replaced by a holographic sticker like the ones commonly seen on credit cards.

The implications of the Bokode could be huge. While traditional 1D and 2D barcodes can be read by cell phone cameras, the camera has to be extremely close to the barcode in order to get a good read. The Bokode is! much mo re robust and can be read from as far as a few meters away. Cameras can even scan multiple Bokodes at once. Imagine how easy comparison shopping at Best Buy would be with a system like that.

Bokodes have the potential to dramatically alter the way we interface with products and each other. The technology can be applied to anything from retail merchandise to augmented reality business cards. Even though the development of a new type of barcode might sound mundane at first, the fact that the Bokode paper was accepted as one of six premier articles to be presented at SIGGRAPH indicates just how exciting the technology is and how far reaching the impact could be. [Press Release via Fast Company]




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Panasonic Lumix FP8, FZ35 and FZ28 Cram Lots of Zoom Into Little Cameras [Digital Cameras]

Panasonic Lumix FP8, FZ35 and FZ28 Cram Lots of Zoom Into Little Cameras [Digital Cameras]

Panasonic's got a trio of new digital cameras—sadly, not a Lumix LX4—with the ZR1 (8x zoom in a tiny body), FZ35 (another 18x followup to the FZ28) and pictured, the FP8, a daintier take on the TS1 toughcam.

They all use the same 12.1-megapixel sensor, so the feature set, from a picture perspective, comes down to differences in the body and lens. The FZ35 carries on the 18x sorta-super-zoom tradition of the FZ28, while the ZR1 uses a "world's first" 0.3mm-thick aspherical lens so it can cram 8x of zoom into the body (as you can see), while the FP8 is standard-for-Lumix 28mm wide-angle.

PANASONIC INTRODUCES NEW LUMIX DIGITAL CAMERA SERIES WITH AN EYE ON STYLISH DESIGN AND FUNCTIONALITY

New LUMIX FP8 has a 28mm wide-angle lens, 4.6x optical zoom, and records High Definition video

Secaucus, NJ (July 27, 2009) – Today, Panasonic announced the new LUMIX DMC-FP8 digital camera as part of its new FP-Series, which pursues excellence in both design and function. The LUMIX FP8, with 12.1 megapixels, features a high-quality 28mm wide-angle, 4.6x Leica DC lens with folding optics* - encased in a futuristic-! looking stylish body.

In addition to its unique design, the FP8 also features advanced functions including high-speed Auto Focus (AF) and Panasonic's Intelligent Auto (iA) suite of technologies. With a fast AF, combined with a high-speed start-up of only 0.95 seconds, the FP8's fast response catches even the most fleeting shots. Panasonic's iA, a popular feature on LUMIX cameras, now includes POWER Optical Image Stabilization (O.I.S.) which features double the repression power compared to the previous image stabilization system, MEGA O.I.S. The hand-shake generated when pressing the shutter button, or when shooting at night with a slow shutter speed, is significantly minimized by the improved POWER O.I.S. to help reduce blurry photos.

"We realize that consumers are looking for fashionable and slim digital cameras that still take high-quality photos and feature advanced photo settings," said David Briganti, Senior Product Manager, Imaging, Panasonic Consumer Electronics Company. "With the LUMIX DMC-FP8, we are giving users that sleek and compact design, while not compromising the advanced, yet easy-to-use features and technology for which the Panasonic LUMIX line of cameras is known."

The FP8's design has intricate detailing which features blue LED cursor buttons that glow when pressed, and its centered back panel gives it an overall ultra-modern and unique look. Additionally, the 2.7-inch large Intelligent LCD offers a dynamic and clear view of the scenes and subjects being photographed. In the Face Recognition** mode, up to three people can be simultaneously recognized to show their names on the monitor once registered. Additionally, the powerful battery life of the highly energy-efficient image processing LSI, Venus Engine V***, allows users to take approximately 380 pictures.

Other features of the DMC-FP8 include:
HD Movies with VIERA Link Networking – Records dynamic HD motion pictures in 1280 x 720p at a smooth 30 fps, in addition to WVGA (848 x 480) and normal VGA (640 x 4! 80)****. With HD component output capability, the user can enjoy watching photos and video in stunning HD quality by simply connecting the camera to a television via an optional component cable (DMW-HDC2).
Scene Modes – Twenty-seven scene modes are available with the FP8, including the High Dynamic mode which helps to capture a scene with moderate exposure, even though the scene may contain both bright and dark areas together.
PHOTOfunSTUDIO 4.0 – Included with the FP8, this software allows users to view, edit and archive captured photos and videos with greater ease. The new PHOTOfunSTUDIO 4.0 features dramatic speed-up of operation and also allows users to store and sort for photos by a specific, recognized face in the image.

The LUMIX DMC-FP8 will have a suggested retail price of $299.95 and will be available in September 2009 in black, red and silver.

PANASONIC LUMIX FEATURES WORLD'S FIRST 0.3MM THIN ASPHERICAL LENS*, MAKING SUPER-SLIM DIGITAL CAMERA

New Compact LUMIX DMC-ZR1 Digital Camera Packs 25mm Ultra-Wide-Angle,
8x Optical Zoom Lens** Into Ultra-Slim Design

Secaucus, NJ (July 27, 2009) – Today, Panasonic introduced the new LUMIX DMC-ZR1 digital camera, featuring the world's first 0.3mm thin aspherical lens*, allowing for a compact body that still features a powerful, 25mm-ultra-wide-angle, 8x optical zoom** LEICA DC VARIO-ELMAR lens. Known for its long-zoom, yet compact digital cameras, Panasonic's newest ZR1 compact digital camera gives consumers increased flexibility.

"The ZR1 answers the call of consumers looking for a truly pocketable digital camera, while still featuring a zoom more powerful than typical compact cameras," said David Briganti, Senior Product Manager, Imaging, Panasonic Consumer Electronics Company. "We know consumers want to catch every shooting opportunity, and with the ZR1, this is possible through unique features such as the ultra-wide-angle lens and Panasonic's popular iA Mode."

With a zoom range of 25-200mm, the ZR1 a! llows fo r both expansive scenery photos as well as close-ups. This powerful zoom also works during video recording. The 12.1-megapixel resolution allows photos to be greatly enlarged while still retaining outstanding detail.

Another key feature of the ZR1 is its fast, high-speed Auto Focus (AF). This, combined with a high-speed start-up of only 1.1 second, helps the ZR1 to catch even the quick action shots. Making this camera even more versatile and easy-to-use, the ZR1 has a 2.7-inch Intelligent LCD, and a powerful battery life with the highly energy-efficient image processing LSI – Venus Engine V*** – which takes approximately 330 pictures during a single charge. As found in all Panasonic LUMIX cameras, the ZR1 features Intelligent Auto (iA) Mode, now with POWER Optical Image Stabilizer (O.I.S.), which features double the repression power, compared to MEGA O.I.S., the previous image stabilization system, to help capture blur-free images.

Other features of the DMC-ZR1 include:
Additional Intelligent Auto (iA) Mode Features
Hand-Shake Component – Answers the problem of natural hand-shaking that goes along with pressing the shutter button.
Face Recognition – Up to six faces can be registered, and up to three can be simultaneously recognized to show their names once registered.
Travel Mode – Users can quickly organize information related to travel, including destination, date and time. Playback of these photos is just as easy, by designating the date or period of travel on the calendar menu interface.
High Dynamic Mode – Helps to capture a scene with moderate exposure even when the scene may contain both bright and dark areas.
PHOTOfunSTUDIO 4.0 – Included software allows the user to view, edit and archive captured photos and videos. It features dramatic speed-up of operation and also allows users to store and sort photos by a specific, recognized face in the image.

The LUMIX DMC-ZR1 will have a suggested retail price of $279.95 and will be available in Se! ptember 2009 in black, red, blue, and silver.

NEW PANASONIC LUMIX, 18X OPTICAL SUPERZOOM DIGITAL CAMERA FEATURES HIGH DEFINITION VIDEO RECORDING

LUMIX DMC-FZ35 Features New POWER O.I.S. and HD Motion Zoom Video Capture

Secaucus, NJ (July 27, 2009) – Today, Panasonic announced the new LUMIX DMC-FZ35, a digital camera featuring AVCHD Lite, High Definition (HD) video recording capability, combined with a powerful 27mm wide-angle, 18x optical zoom LEICA DC lens. A successor to the popular FZ28, the FZ35 packs enhanced creative features combined with the power to shoot HD videos, including motion zoom capabilities to take full advantage of the 18x zoom. The operational layout of the FZ35 includes a dedicated video record button, making it a true hybrid – a single model that performs seamlessly at capturing both still and motion images – while still providing smooth and easy operation in either mode.

"The LUMIX FZ35 is truly unique as it includes advanced features like HD video recording, but still resembles and functions like an intuitive point-and-shoot with the ability to capture beautiful photos and video," said David Briganti, Senior Product Manager, Imaging, Panasonic Consumer Electronics Company. "This model's versatility makes it a great choice for a new or advanced user who wants a hybrid device that shoots high-quality still and motion images."

For users looking for increased creativity while shooting both video and still images, the LUMIX FZ35 delivers. New manual controls and creative options, include:

Creative Movie Mode – Allows the user to set the shutter speed and aperture manually to make even more impressive movies. Changing the shutter speed brings special effects to movies, which is especially suitable for shooting fast-moving subjects. The ability to control the aperture is convenient when there are several subjects at different distances.
My Color Mode – This special option gives free reign to the user's creativity. The color, brightness and! saturat ion parameters can be freely adjusted while seeing how the adjustments affect the picture, live on the monitor.
High Dynamic Mode – Helps to capture a scene with moderate exposure even though the scene may contain both bright and dark areas.

The 12.1 mega pixel-FZ35 features the upgraded POWER Optical Image Stabilizer (O.I.S.), which allows for double the repression power compared to the conventional image stabilization system, MEGA O.I.S., and ultra high-speed Auto Focus (AF) for capturing action scenes as they happen. Additionally, with the super-powerful 18x optical zoom lens, it is easy to capture subjects that are far away or take dramatic close-ups.

With the enhanced energy-efficient image processing LSI – the Venus Engine HD* – the FZ35 has an extended battery life of approximately 470 pictures, making it the ideal choice for active photo enthusiasts. As with all Panasonic LUMIX cameras, the FZ35 features Intelligent Auto (iA) Mode, a suite of intuitive technologies including Face Detection, Intelligent Scene Selector, Intelligent Exposure and Face Recognition. With the improved Face Recognition, the FZ35 recognizes up to three faces simultaneously while taking photos** and allows users to specify the age of the registered subject. When babies under 3 years-old are registered, the camera will automatically switch to Baby mode if the baby appears to be in the frame.

The LUMIX DMC-FZ35 will have a suggested retail price of $399.99 and will be available in September 2009 in black.




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Disney Using Serious Science to Determine When You'll Look at Banner Ads [Ads]

Disney Using Serious Science to Determine When You'll Look at Banner Ads [Ads]

Disney is spending millions on a research facility in Austin to see just what, physiologically speaking, makes us look at certain types of ads over others.

The facility is designed to figure out just what types of web ads we'll give our attention to. Do bumpers before videos work? What about those horrible ads that cover a whole website and force you to find the tiny X to close them? They're using eye tracking, heart monitors, skin temperature readings and facial probes to measure expressions to see what works and what doesn't.

It all shows that web ads are a serious business, with tons of money there for people who figure out how to make them really work. But really, come on, enough with those ads that block content. Nobody likes those, and you don't need any fancy research to figure it out. [NY Times]




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Sony Vaio W Netbook Reviewed (Exactly What We Expected) [NetBooks]

Sony Vaio W Netbook Reviewed (Exactly What We Expected) [NetBooks]

If you read the original announcement, there's not a hint of surprise in Computer Shopper's review of Sony's stab at a conventional netbook, the Vaio W. Underpowered and uninspiring, though that 1366x768 screen sure is dandy. Come on, Sony. [ComputerShopper]




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