Friday, September 16, 2011

drag2share: Music Streaming Service MOG Goes Free, Makes Its Insanely Large Library Available to All [Updates]

Source: http://lifehacker.com/5840843/music-streaming-service-mog-goes-free-makes-its-insanely-large-library-available-to-all

Music Streaming Service MOG Goes Free, Makes Its Insanely Large Library Available to AllMOG, one of our favorite music streaming services, introduced a new free, ad-supported version of its versatile, music-filled streaming service today.

MOG is an interesting type of music streaming service, with a Pandora-style "radio" feature from which you can save playlists, link to your desktop players, and more. Their free plan is similarly unique: instead of just giving you free, ad-supported access to the site, you "earn" free music by listening, sharing with friends, making playlists, and using MOG's features. The more you play with MOG, the more free music you can earn. Their premium subscription plans are still there, with access to the desktop client, mobile apps, and more, but now those uninterested in paying can get access to MOG's awesome service. Hit the link to learn more.

If you haven't used MOG before and you're curious about how it compares to other popular services, check out our showdown of music streaming services here.

MOG is thrilled to announce a free version of our award-winning music service! | The MOG Blog



You can contact Whitson Gordon, the author of this post, at whitson@lifehacker.com. You can also find him on Twitter, Facebook, and lurking around our #tips page.
 

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drag2share: Daily Desired: A Jetset Watch for Non-Billionaires [Desired]

Source: http://gizmodo.com/5840714/daily-desired-a-jetset-watch-for-non+billionaires

Daily Desired: A Jetset Watch for Non-BillionairesRichard Branson and I live very different lives. I haven't left New York in months, and he's probably going to space any day. Luckily Branson put his eccentric billionaire's stamp of approval on a gorgeous Bulova watch for us wannabees.

I can't afford to fly to far fetched places like Sydney, Australia but thanks to the forthcoming Sir Richard Branson Bulova Accutron at least I'll know what time it is there thanks to a clever trick built into the watch. In addition to the standard hour, minute and second hands, the watch has a hand which keeps track of GMT. The names of 24 cities, each corresponding to a time zone, are engraved around the perimeter of the watch. Wanna know what time it is in the famed smoker's lounge at Denver International? Simply twist the outer ring, which moves the cities on the watch's face. When GMT and the GMT hand line up you'll know the time everywhere on Earth. What do you know? It's time for a drink.

The Branson Accutron will be available Fall 2012 and is limited to 500 pieces. It's not cheap but you don't have to be a billionaire to cover the $3,500 price tag. That's less than 2 percent the cost of a flight on Virgin Galactic. [Bulova and PR Newswire via BornRich]

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drag2share: LED Lenser X21 Flashlight Lightning Review: Really, Really, Really Bright [Flashlights]

Source: http://gizmodo.com/5840351/led-lenser-x21-flashlight-lightning-review-really-really-really-bright

LED Lenser X21 Flashlight Lightning Review: Really, Really, Really BrightMaglite's 4 D-cell flashlight spits out around 120 lumens of brightness. The mammoth LED Lenser X21 shoots out 1,200. It's blindingly bright. It lights up entire rooms on its own. It will hurt your eyes. A lot.

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Why do you buy a flashlight? To light things up. The X21 is almost too bright. It's extremely visible even in a well-lit room, or outside—photos do it no justice. And because it uses electricity-friendly LEDs, it can beam brilliantly for a long, long time—at its max power mode, we've far surpassed LED Lenser's advertised 2.5 hours. We'll take their word on the 25 hours of 225-lumen low power mode. The thing's also brutally substantial; if you want a flashlight you can drop repeatedly and also bludgeon someone to death with, this is tops.

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The X21's very heavy: 3.25 pounds. This might wear on your wrist if you had to use it for extended periods. But the X21's only real design flaw is the stubborn push motion required to switch the light's lens and mirror mechanism between a focused and diffuse beam. A twisting control would have been much better, or something that didn't require jerky motions.

Should I Buy This?

This is the ultimate emergency flashlight. For reading, it's overkill. But for power outages, wilderness wanderings, or anything dark that needs to be bright as a trillion dollar casino, the X21 is a stellar pick.


LED Lenser X21
Price: $450
Brightness: 1200 Lumens
Weight: 52.49 oz
Battery: 4 x D cells
Length: 15.55-inches
LED Lenser

You can keep up with Sam Biddle, the author of this post, on Twitter, Facebook, or Google+.

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drag2share: Can Streaming Music Services Survive Freemium? [Streaming Music]

Source: http://gizmodo.com/5840669/can-streaming-music-services-survive-freemium

Can Streaming Music Services Survive Freemium?As a response to Spotify's successful US launch, MOG and Rdio have both offered freemium versions of their respective streaming music services. They're scared of losing the war to the Scandinavian invaders. But is it a race to the bottom?

Let's take a look at the models that these companies have adopted. Spotify started the freemium craze by offering free, unlimited access to its desktop service with ads. However, Spotifiers will soon be limited to a certain number of hours every month. MOG's new Freeplay service rewards users with free access to the desktop service for engaging with the service. That means sharing tracks with friends, creating playlists, etc. Basically, users exchange product evangelism for free content—with ads on top, which also generate revenue for the company. Rdio hasn't revealed the full details of its service yet, but it says users will get unlimited, free, access to the service without ads. Record labels can't possibly be pleased about this.

Content providers of all mediums are already leery of the increasingly popular unlimited subscription model. TV and movie companies despise Netflix and Hulu. Record labels have been slow (although more receptive) to embrace the $5-10/month plans offered by streaming music companies. So how long do you think they'll possibly put up with freemium models? Or how long can Rdio and MOG and the rest sustain it while still appeasing their label overloards?

Spotify operated in the red for years before gaining the number of users to make money off its freemium model. Its successful U.S. launch—reportedly millions-strong—was just the cherry on top of an already highly successful European subscriber base sundae. MOG and Rdio are a different story. They both still have relatively small user bases, and going with a free access model in hopes of stealing some of Spotify's users is risky—they cant serve up nearly as many eyeballs (earholes?) to advertisers in the longrun. It's a desperation move, and one that might end up destroying them.

There's hope, though, that these companies could succeed and really change the way we get music. And it's in your smartphone.

One thing nobody offers right now is free access to their services on smartphones and tablets (Rdio hasn't said anything about this one way or another, but people in the know I've talked to say that labels aren't considering this option yet.) It's pretty easy to see the gameplan here: get users so accustomed to listening to music through the services that they stop buying/pirating music altogether. Soon they'll want anywhere access not only to music, but to the collection and playlists you've compiled. They'll realize it's easier to cough up a subscription fee than to buy and or rebuild all that saved-up content.

This strategy revolves entirely around having a lot of users actively using these services, hence the competition to see who can be more cutthroat. The companies who lose are going to lose big as a result of putting subscription numbers before revenue. I'd feel more comfortable about the prospects of all these guys if they adapted a model more like Lala used to, where everyone could listen to any song a limited number of times before having to pay for it.

I really hope someone (if not everyone) wins out here, because the unlimited streaming model is an amazing way to access music and has the potential to benefit both musicians, their corporate overlords, and most clearly you the listener. But this concept was already seen as a low profit margin venture to begin with, and it's only becoming less profitable. Failure from all of these companies would set all this progress back at least five years, when the iTunes a la carte method was seen as revolutionary.

Look, when you make yourself so dependent on advertising, it makes perfect sense that there's a race for subscribers over cash. Let's just hope that it's not a race to oblivion.

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drag2share: Fraunhofer's STAN: four cameras, three dimensions, no glasses

Source: http://www.engadget.com/2011/09/15/fraunhofers-stan-four-cameras-three-dimensions-no-glasses/

There are some glasses-free 3D TVs around, but their limited viewing angles and poor picture quality aren't very inspiring -- so Fraunhofer's latest project is a welcome endeavor. It's developed STAN (STereoscopic ANalyzer), a system that lets broadcasters easily use four cameras instead of the usual two, for 3D recording. 3D needs a minimum of two lenses to register depth and keeping multiple shooters in sync is tough and expensive. That's led to the industry relying on two, which is why glasses-free (autostereoscopic) 3D TVs get such a poor picture; more cameras means more viewing angles. STAN co-ordinates the setup of the four cameras and then uses a feature detector to identify common elements in the pictures and merges them into a 3D image. Four cameras provide much more depth, which means more viewing angles, which means that if STAN gets picked up, these guys can throw away the sunglasses, even for live broadcasts.

Fraunhofer's STAN: four cameras, three dimensions, no glasses originally appeared on Engadget on Thu, 15 Sep 2011 15:46:00 EDT. Please see our terms for use of feeds.

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